Summary
One can imagine Jack Lemmon in the 1950s, Marcello Mastroianni in the '60s or Dudley Moore in the '80s being cast in Michael Gondry's "The Science of Sleep" and having almost as much difficulty carrying it off as Mexico's Gael Garcia Bernal does here.
Like its central character, Stephane Miroux (Bernal), the movie merges dreams and reality so liquidly that they become indistinguishable except when one of the parallel universes pointedly gives way to the other.See the full content of this document
Extract
The Science of Sleep
Stephane dreams and/or fantasizes his life as something rooted in the imag...
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